Analysis of Hybrid Compositions in Animation Film with Weakly Supervised Learning
Mónica Apellaniz Portos
Roberto Labadie-Tamayo
Claudius Stemmler
Erwin Feyersinger
Andreas Babic
Franziska Bruckner
Vrääth Öhner
Matthias Zeppelzauer

Abstract
We present an approach for the analysis of hybrid visual compositions in animation in the domain of ephemeral film. We combine ideas from semi-supervised and weakly supervised learning to train a model that can segment hybrid compositions without requiring pre-labeled segmentation masks. We evaluate our approach on a set of ephemeral films from 13 film archives. Results demonstrate that the proposed learning strategy yields a performance close to a fully supervised baseline. On a qualitative level the performed analysis provides interesting insights on hybrid compositions in animation film.
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