Human annotations of mood in music are essential for music generation and recommender systems. However, existing datasets predominantly focus on Western songs with mood terms derived from English, which may limit generalizability across diverse linguistic and cultural backgrounds. To address this, we introduce `GlobalMood', a novel cross-cultural benchmark dataset comprising 1,180 songs sampled from 59 countries, with large-scale annotations collected from 2,519 individuals across five culturally and linguistically distinct locations: U.S., France, Mexico, S. Korea, and Egypt. Rather than imposing predefined mood categories, we implement a bottom-up, participant-driven approach to organically elicit culturally specific music-related mood terms. We then recruit another pool of human participants to collect 988,925 ratings for these culture-specific descriptors. Our analysis confirms the presence of a valence-arousal structure shared across cultures, yet also reveals significant divergences in how certain mood terms, despite being dictionary equivalents, are perceived cross-culturally. State-of-the-art multimodal models benefit substantially from fine-tuning on our cross-culturally balanced dataset, as evidenced by improved alignment with human evaluations - particularly in non-English contexts. More broadly, our findings inform the ongoing debate on the universality versus cultural specificity of emotional descriptors, and our methodology can contribute to other multimodal and cross-lingual research.
View on arXiv@article{lee2025_2505.09539,
title={ GlobalMood: A cross-cultural benchmark for music emotion recognition },
author={ Harin Lee and Elif Çelen and Peter Harrison and Manuel Anglada-Tort and Pol van Rijn and Minsu Park and Marc Schönwiesner and Nori Jacoby },
journal={arXiv preprint arXiv:2505.09539},
year={ 2025 }
}