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Evaluating Fake Music Detection Performance Under Audio Augmentations

Tomasz Sroka
Tomasz Wężowicz
Dominik Sidorczuk
Mateusz Modrzejewski
Main:1 Pages
1 Figures
1 Tables
Appendix:2 Pages
Abstract

With the rapid advancement of generative audio models, distinguishing between human-composed and generated music is becoming increasingly challenging. As a response, models for detecting fake music have been proposed. In this work, we explore the robustness of such systems under audio augmentations. To evaluate model generalization, we constructed a dataset consisting of both real and synthetic music generated using several systems. We then apply a range of audio transformations and analyze how they affect classification accuracy. We test the performance of a recent state-of-the-art musical deepfake detection model in the presence of audio augmentations. The performance of the model decreases significantly even with the introduction of light augmentations.

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